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And by making a new use of these old public-domain stories, the show itself helps to prove that. One of the premises of Kamen Rider Saber is that books have the power to change the world-and while that’s true literally in the world of the show, it’s just as true figuratively in our own. It’s especially appropriate for this show. As fundamental elements of our culture, they can serve as building blocks for creating new stories. When the child is temporarily separated from his parents, Touma comforts him by saying the character in the book was separated from his family too.Īnd this is exactly how public domain stories should be used. In the first episode, Touma gives a child a Japanese translation of Nobody’s Boy, an 1878 French novel by Hector Malot. This isn’t the only way the show uses public domain works, either. The books grant their users powers related to the stories they’re based on-and the protagonist, an aspiring novelist named Touma Kamiyama who also runs a bookstore and reads to children, is able to use his familiarity with those stories to understand intuitively how the powers work.
![belt kamen rider ooo hd belt kamen rider ooo hd](http://sushiheavy.weebly.com/uploads/1/2/3/9/123986863/930743408.jpg)
The episode’s plot also refers to another public domain story, the fable of the grasshopper and the ants, though there isn’t a book to go with that one. The title says Peter Fantasista, but it’s clearly Peter Pan. The show did change the titles of the stories, presumably to make it easier to trademark the toys, but it’s clear what the actual sources are.
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The second episode of the series had two such books, both based on works in the public domain-the fairy tale “Jack and the Beanstalk,” and the 1911 novel Peter Pan. (Well, plastic toys that look like books, but they call them books.) Characters have a specific book that they use to transform, but they can get additional books to grant them additional powers. Where the public domain comes into it is that in the current series, Kamen Rider Saber, those pluggable modules are books. Hence, the belt gadgets (and their toys) tend to have lots of different modules (sold as toys) that can be plugged into them to use different powers (and generate different light and sound effects). (One of those items is usually a motorcycle of some kind, hence the “rider” part of the name.)Īimed at tweens and teens, the main purpose of the show is to sell toys-lots and lots and lots of toys, usually incorporating microchip gimmicks for lights, music, sound effects, and digitized speech. The belt comes with a variety of weapons and items that allow him to battle the forces of a mysterious shadowy organization bent on evil. Each new season is effectively a completely new show, with a different setting, characters, and powers, but what they have in common is that in each of these shows, an ordinary person comes into possession of a special belt that lets him transform into a powerful armor-suited warrior called a Kamen (or “Masked”) Rider. Rather than a fall season of 13 episodes, Kamen Rider airs on nearly every weekend through the entire year, for a grand total of around 50 half-hour episodes per season. Japanese weekly series like Kamen Rider work a little differently than American shows. A number of fansubbers have been translating the show as it airs in Japan, and I’ve been eagerly watching it. The series hasn’t been running constantly for all that time, but the current incarnation of the show has been going continuously since January of 2000. The show is the long-running Japanese tokusatsu (literally “special effects”) live-action series, Kamen Rider, which celebrates its 50th anniversary next year.
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This time, I happened to notice that the current series of a Japanese TV show I’ve been watching has turned to public domain material for one of its gimmicks. I always find it intriguing when I happen across a new use of public domain literature in the course of my daily life.